Publius Vergilius Maro: The Life and Works of Virgil
Publius Vergilius Maro is one of the greatest Roman writers and poets who ever lived. Vergilius, or better known in English as Virgil, was born on October 1, 70 B.C. He was born in the village of Andes, which was near Mantua in Cisalpine Gaul. He went from being the son of a farmer to being considered the greatest poet of Rome . He had three major works, the Eclogues, the Georgics, and the

A bust of Virgil, from the entrance to his tomb in Naples, Italy.
Aeneid. Also, some minor works are also attributed to him.
In Roman legend, it is said that Virgil began his education at the age of five years old. Later, going to Rome to learn, he studied rhetoric, medicine and astronomy. However, he would abandon these studies to focus completely on philosophy. It was during this period in which he studied under Siro, who was an Epicurean philosopher, and this is also when he began to write poetry.
A group of short poems, dubbed the Appendix Vergiliana, are often attributed to Virgil and would have been written during his period of education. One, which is called the Catalepton, consists of fourteen short poems. Another one of these is called the Culex, which in Latin means “the gnat.” These series of short poems were attributed to Virgil as early as the first part of the First Century A.D.
After Octavian and Mark Antony defeat Brutus and Cassius at Philippi in 42 B.C., they paid their men for their military service by taking lands in Northern Italy and giving it to their men. Virgil, by inference in the Eclogues, seems to claim that one of his estates near Mantua was one of the ones taken and given away. In his Eclogues, Virgil expresses both anger for the loss of land, but also a sense of promise towards the figure of Octavian Caesar.

The Eclogues, From the “Roman Virgil,” Vatican Library, Vatican City
The Eclogues of Virgil consist of ten parts. The Eclogues, also known as the Bucolics, after the Greek term meaning “on the care of cattle, consist of discussions between cattle herdsmen on the revolutionary change occurring in Rome at the time. The First Eclogue focused on Roman power, while the Second and Third focused on love. Both Homosexuality, found in the Second Eclogue, and panerotic in the Third Eclogue, are discussed. Both the Fourth and Fifth Eclogues dealt again with Roman power. In the remaining Eclogues, Virgil seems to gradually create a new myth concerning his own poetry. He takes

Les Bergers d’Arcadie by Nicolas Poussin.
the home of the god Pan, which is a region in Greece known as Arcadia, and casts it as the birthplace and origin of poetry itself. He continues to write about erotic themes. These include love that is both returned and not, in both heterosexual and homosexual themes. Also, he includes references to elusive women having tragic love and to the “magical powers” of song in getting an elusive boy to return. Virgil then concludes his Eclogues by returning to his theme of Arcadia. He casts Arcadia as the “poetic ideal,” and this idea can still be seen and felt in Western arts and literature.
Though most modern historical and classics scholars refuse to use fictitious works as biographical sources, many people since the writing of the Eclogues have often identified Virgil in some of the characters in the work. These include the old rustic who shows gratitude to a new god in the first Eclogue, the love of a rustic singer for a distant boy in the second Eclogue, and the master singer’s claim in the fifth Eclogue to have written many eclogues. These are all seen by many as reflections by Virgil on himself.
Soon after finishing the Eclogues, It appears that Virgil would join company with Maecenas, who was Octavian’s Agent of Affairs. Through Maecenas, who was attempting to bring literary figures in with Octavian to garner support with the people away from Mark Antony, he also gained connections with other literary figures such as Horace and Varius Rufus. It is most important that he had gained connections with Rufus, for he would later help Virgil with the completion of the Aeneid at the end of his life. It was at this point also, somewhere from 37 – 29 B.C., that Virgil would work on his second great work, the Georgics.
While the Eclogues, also called the Bucolics, were written in homage to the Greek Theocritus, who had been the first poet to write with the theme of herdsmen, the Georgics are so called due to their theme of farming. Georgics is the Greek term for, “On Working the Earth,” and is styled in the tradition of

The Battle of Actium, by Lorenzo A. Castro, 1672.
the Greek Hesiod. On the completion of the Georgics, Virgil would dedicate the book to Maecenas. Also, on the their return from the Battle of Actium, in 31 B.C., where Octavian and Marcus Agrippa had just defeated Mark Antony and the Egyptian Queen Cleopatra, both Virgil and Maecenas took turns reading excerpts from the Georgics to Octavian.
The Georgics, completely published in 29 B.C., are written in the form of what is known a “didactic” poetry. The Georgics are so called due to their being intended for instruction and not entertainment. Its subject is farming and rural life and the Greek writer Hesiod’s Works and Days can be seen as an incredible influence. Also, Hellenistic poets Aratus and Nicander are heavily referenced as well.
Virgil also drew greatly from the work of Lucretius called De Re

Georgics Book III, Shepherd with Flocks, Vatican
Rarum, or, On the Nature of Things. This work by Virgil includes 2,188 hexametrical verses divided up into four books. The first two books consist of instruction in agriculture. This includes topics such as field crops, trees, small animals and legumes. The third book deals primarily with the raising of cattle and other forms of livestock, including rams, boars, and wildebeests. The fourth and final book deals solely with bees and beekeeping. Included in this book are discussions on the lives of bees, wasps and hornets. Though the topics in the Georgics concern the subject of farming and life in the country, today it is believed by some that these topics masked Virgil’s true intentions on writing the Georgics. This debate is fueled by Virgil’s digression form agriculture throughout the work, and still continues today. The entire work is marked by the opening lines:
What makes the cornfield smile; beneath what star,/

From the “Roman Virgil,” Vatican Library, Vatican City
Maecenas, it is meet to turn the sod/
Or marry elm with vine; how tend the steer;/
What pains for cattle-keeping, or what proof/
Of patient trial serves for thrifty bees;-/
Such are my themes. (English Translation from
Project Gutenberg).
In these lines, the subjects contained in the Georgics, as well as Virgil’s dedication of the work to Maecenas, can be seen.
For the final ten years of Virgil’s life, which ended on September 21, 19 B.C., he worked on his greatest and final epic, the Aeneid. The Aeneid consists of twelve books, written in dactylic hexameter, which can be broken down into two distinct parts. The entire epic work is based on the Greek poet Homer. The first six books are based on Homer’s Odyssey, while the last six are the Roman “answer” to his Iliad. Though spending ten years on the work, Virgil never fully completed it, for he died after catching a fever in the harbor of Brundisium. Virgil’s own wish was that the poem be burned, since he was not able to complete is, but Augustus Caesar, formerly Octavian, ordered poets Varius Rufus and Plotius Tucca to publish it, with as little editorial changes as possible.

Aeneas flees burning Troy, Federico Barocci, 1598
The Aeneid tells the legendary story of Aeneas, who was a Trojan prince who traveled to Italy, where Virgil claims he became the ancestor of the Romans. The hero Aeneas was known before Virgil’s Aeneid in both
Greek and Roman mythology, since
he was a character in Homer’s Iliad, and Virgil, taking Aeneas’s slim connection with the founding of Rome, created a massive national epic for the young empire. He used the notion of the piety of Aeneas to glorify the virtues of Rome as well as legitimize the Julio-Claudian dynasty as being direct descendants of the founders of Rome, who, according to Virgil and tradition, were heroes and gods of both Rome and Troy.
The first six books of the Aeneid describe the journey of Aeneas and his followers from Troy to Italy. He begins the epic first with his theme: Arma virumque cano, “I sing of arms and of a man.,” As well as with an invocation to the Muse: Musa, mihi causas memora, “O Muse, recall to me the reasons.” After this he explains the central focus of his plot, which is the hatred of Juno, the goddess wife of Jupiter, towards the Trojans. Aeneas travels from Troy heading to Italy, but he and his followers are thrown of course by Juno, due to the fates have declared that the descendants of Aeneas will destroy her favored people who live in Carthage. Also influencing Juno’s hatred are other facts. First, Ganymede, who was also a Trojan prince, was chosen by Jupiter to be the cup-bearer of the gods, this was done because Jupiter was in love with Ganymede. Juno is also angry because of Paris, yet again another Trojan prince, choose Venus over her and Minerva in the contest over which goddess was the fairest. Because of her anger, Juno is able to

Aeolus, King of the Winds
convince the King of the Winds, Aeolus, to cause a storm. However, Neptune eventually finds out and calms the storm due to his unhappiness with Juno meddling in his territory, the sea. Ironically, once the storm settles, Aeneas and his ships land on the Northern coast of Africa, near Carthage. Venus, told to be the mother of Aeneas, convinces him to seek out the city, which he does, and there he finds favor with the Queen of Carthage, Dido. During a banquet, held by Dido in honor of the wayward Trojans, Aeneas recounts what had happened in Troy, concerning the Trojan War. These events described by Aeneas would have happened after the ones told in Homer’s Iliad. Venus sends Cupid, disguised as the son of Aeneas, to cause Dido to fall in love with Aeneas, and he is successful. Although Dido has sworn her fidelity to her fallen husband, she yields, and during a hunting trip in which she and Aeneas find themselves taking shelter together in a cave from a storm, she offers her love to him. Aeneas gladly accepts, and once they have had sexual relations in the cave, Dido presumes that the two are married. However, Jupiter sends the winged messenger Mercury to remind Aeneas of his duty, which is to continue on to Italy, and he realizes that he must leave Dido and travel on. Upon realizing that she is being left, her heart is broken and Dido commits suicide. Aeneas looks back

Aeneas Bearing Anchises from Troy, by Carle van Loo, 1729
and sees the funeral pyre of Dido and is saddened, but he continues on to Italy. Once they leave, they stop on Sicily, where Aeneas had quickly buried his father Anchises before they had landed near Carthage. Once they land there, they hold funeral games in his honor. Once Aeneas and his fleet reach the mainland of Italy, Aeneas, with the help of the Cumaean Sibyl, descends into the underworld. Once there, he both sees the spirit of his father, as well has a vision of destiny of Rome. Once he has left the underworld, Aeneas leads his people to Latium, and there they settle, and it is here also where he courts Lavinia, the daughter of king Latinus.
The final six books of the Aeneid tells of the war that ensued once Aeneas and his people settle in Latium. The war, which Aeneas wished to avoid, is attributed greatly to the scheming of Juno. She is able to convince the wife of Latinus, Amata, that their daughter Lavinia should be married, not to Aeneas, but to Turnus, who is the king of the Rutuli people. To ensure that war breaks out, Juno even summons the Fury Alecto. Seeing the massive army that Turnus has raised against him, Aeneas seeks help from the Tuscans, where he meets Evander who is their king. Pallas, who is the son of Evander, agrees to help Aeneas in the fight, but when they return to where

Nisus and Euryalus (1827) by Jean-Baptist Roman
Aeneas’s people are, they are being besieged by Turnus and his armies. Although the city held until Aeneas was able to return, both Nisus and his lover Eurylasus tragically lose their lives. As the fighting continues, many great heroes are killed, including Pallas who is slain by both Turnus and his close associate Menzentius, who also died when he challenged Aeneas to single combat. Also, Camilla, who was a virgin devoted to the goddess Diana, was also slain in battle. Eventually, Aeneas and Turnus also face off in single combat. Turnus’ strength fades from him, and he soon begs Aeneas for mercy. Aeneas is actually inclined to show mercy, but in the end he sees the belt of Pallas on Turnus’ person and he is overcome by rage and he kills him.
With the death of Turnus at the hand of Aeneas, the Aeneid ends. Though it is known that the epic work was left unfinished by the death of Virgil, it is unknown if the story itself was complete or not. Many have argued that Virgil would have continued and ended the epic with the marriage of Aeneas to Lavinia, others contend that by ending with the execution of Turnus, that Virgil ends the poem with his view of the darker, more vengeful side of humanity.
Even after his death in 19 B.C., Virgil remained, and still remains one of the most influential of the writers of Rome. Eventually, Virgil was even “Christianized,” which would make his works more palatable for the religious. Reasons for this were that, in the Aeneid, he describes the founding of Rome, which was considered to be the Holy City, and in which Vatican City, the spiritual home for the Roman Catholic Church, remains to this day. Also, an important point in his Christianization was his seemingly prophetic vision of the coming of Christ in his Fourth Eclogue. In this Eclogue, Virgil writes:
…justice returns, returns old Saturn’s reign,
with a new breed of men sent down from heaven.
Only do thou, at the boy’s birth in whom
the iron shall cease, the golden race arise,…
(Fourth Eclogue, translation by the Perseus Project)
These lines were seen by some of the Fathers the Christian Church, especially in the Middle Ages, of speaking prophetically of the coming of Christ.
The tomb of Virgil is found in Naples, Italy, at the entrance of the tunnel in the Parco di Virgilio. Though it is believed that a church was built on the site to “Christianize” the location, a tripod burner, originally dedicated to the god Apollo, still stands. Though he may have been “Christianized” by those who came after him, this burner is a sure sign of the beliefs that Virgil held.
Though Virgil died just over two-thousand years ago, his writings and his life, still hold power and sway today. His legacy is that his greatest epic, the Aeneid, has almost as many different translations of it as the Bible. All of his works have been passed down through the centuries, and they have been read, studied, and cherished by many. Though not all would call Virgil the greatest Roman poet, it can be denied by no one how great his influence has been. From Octavian and Maecenas, to Dante, who claims in his Divine Comedy Virgil himself gave him the tour of Hell. To painters and sculptors, and now to school children and college students, his influence and his works continue to hold sway.

A stamp featuring a mosaic of Virgil which was discovered in a Tunisian villa from the 3rd century CE.
Bibliography
Boardman, John, Griffin, Jasper, & Murray, Oswyn. The Oxford History of the Roman World. Oxford: Oxford University Press, 2001.
Ferry, David, translator. The Eclogues of Virgil: Bilingual Edition. New York: Farrar, Straus and Giroux, 1999
Ferry, David, translator. The Georgics of Virgil: Bilingual Edition. New York: Farrar, Straus and Giroux, 2006
Kebric, Robert B. The Roman People, 4th Edition. Boston: McGraw Hill, 2005.
Levi, Peter. Virgil: His Life and Times. London: Duckworth Publishing, 2001
Mandelbaum, Allen, translator. The Aeneid of Virgil. New York: Bantam Classic, 1971.
Suetonius. The Life of Virgil (Loeb Translation). http://www.fordham.edu/halsall/pwh/suet-vergil.html. December 3, 2008
Virgil. Wikipedia Article with References. http://en.wikipedia.org/wiki/Virgil. December 4, 2008